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About Richard Elliot


The 10-Track Blueprint for a Fulfilling & Blissful New Year Unites Elliot with All-Star Friends
Rick Braun, Dave Koz, Jeff Lorber, Chris “Big Dog” Davis, Philippe Saisse, David Mann & Others
“There are absolute parallels between jazz and flying,” confesses Grammy-nominated tenor titan Richard Elliot who has been flying airplanes for the past three decades. The Renaissance man, who is currently engrossed in the colossal project of building his own airplane, adds “When you are performing and flying you are 100 percent consumed and focused on that experience from a technical perspective, emotional and aesthetic perspective, taking in everything around you.” Elliot, who has also successfully moonlighted as a software engineer, has a laser-like focus and creative vision that knows no bounds. The chart-topping saxophonist and pioneering Contemporary Jazz musician’s instantly recognizable trademark tenor has afforded him the opportunity to work with everyone from Smokey Robinson, Bonnie Raitt and The Temptations to Dave Koz, Tower of Power and Gerald Albright, to name a few. On January 29, 2021, Richard Elliot offers the perfect antidote to a year wrought with challenges and setbacks. Authentic Life is the Scottish-born, LA-raised saxophonist’s Shanachie debut – his first new album in five years. It’s an inspiring collection comprised mostly of originals that speak to Elliot’s optimistic outlook on life. “The recording has a positive and uplifting feel which is what we all need right now,” reflects the San Diego resident. “A lot of the inspiration is based
on the idea of living life in a mindful way, with focus and in the truest way possible that allows you to be sincere in your actions and intentions with other human beings.”

Danny Weiss, Shanachie VP of Jazz A&R states, “Richard Elliot has an uncanny ability to combine precision and technical mastery with passion and excitement. As a result, whether you're a casual listener or a jazz fanatic (like me), Richard Elliot's music is richly rewarding - and a real home run for Shanachie!”

The past year has changed the world immeasurably affecting how we live, love, communicate, interact and work. Elliot recounts a new form of inspiration that grew out of the forced circumstances. “One of the things I love about recording is the collaborative aspect of being in the studio. Unfortunately, in the last year I’ve had to forgo this,” he shares. “It’s amazing that sometimes out of challenging times you glean positive experiences. We were able to take the positive experience of collaborating remotely while finding the inspiration - albeit virtually.”

A musician’s musician, for Elliot, the line-up alone on Authentic Life is a testament to the respect and adoration he has garnered from his peers throughout his enviable four - plus decade career. Never one to rest on his laurels, the saxophonist confides, “With every record, I try and push my boundaries and stay just a little bit out of my comfort zone so that hopefully I can create an environment for evolution. There is such a camaraderie in this genre. If you are in it for any meaningful period of time you have this community of artists. I feel very fortunate and privileged.” Some of the special guests joining Elliot on Authentic Life include trumpeter Rick Braun, keyboardists Jeff Lorber, Chris “Big Dog” Davis and Philippe Saisse, saxophonists Dave Koz and David Mann, and percussionist Lenny Castro, among
others. “It was wonderful collaborating with these guys because each one of them pushes me in a different direction melodically.”

Authentic Life opens with the album’s sizzling first single “Snapshot,” co-written with Jeff Lorber and featuring Lorber alongside trumpeter Rick Braun and saxophonists Dave Koz and David Mann. Elliot first met Lorber when he was a 19 year-old recording with the jazz-rock unit Kittyhawk. “Jeff’s tracks are so funky and they always feel so good. He is always a pleasure to work with!” The alluring R&B flavored “Walk With Me,” is a tender excursion that Elliot co-wrote with Rick Braun. “Rick like Jeff (Lorber) is prolific. He always comes up with these really infectious grooves and chords that are really a pleasure to record melodies over.” The sensual melodic flow of “Right On Time,” a collaboration with keyboardist Chris “Big Dog” Davis and Rick Braun, transports us to a tranquil space if only for a
moment in time.

Elliot shares, “Chris is the perfect melding of jazz and R&B. He writes and plays these amazing harmonic structures and beats. We all had a great time working on this particular song.” The epic title track is reminiscent of the iconic CTI sound and classic Don Sebesky arrangements. The stunning Nathaniel Phillips arrangement showcases soulful interplay between Elliot and Braun that captivates throughout. “Nate has been the bass player in my band for a long time and we go back many years. He was also the bassist in the amazing R&B band Pleasure. He created this beautiful mood and
orchestration with stellar horn parts.”

Authentic Life also features the forward momentum of ‘Move Ahead,” a refreshing and uplifting track that is bound to inspire joy. Co-written with Philippe Saisse and Rick Braun, it’s a swinger with a percussive backbeat with drummer Jay Williams and percussionist Lenny Castro and once again shows off the magnetic chemistry between Richard Elliot and Rick Braun. Elliot adds, “This song is the musical embodiment of moving forward and beyond the challenges that we have all had to faced this past year.” The lone album cover is Gino Vannelli’s “Living Inside Myself.” Elliot’s passionate interpretation will move you to tears with his gorgeous, emotive and robust tenor lines. “This one came from my wife,” confesses Richard who runs a foundation with his wife Camella, that donates to worthy causes that benefit youth and young adults including the Juvenile Diabetes Foundation, St. Judes and the San Diego area dance organization TranscenDANCE. “She actually suggested the last two or three cover tunes that I have recorded. She’s batting 1000 so far! I have been a Gino Vannelli fan forever. Joe Vannelli, who writes a lot of the music with Gino, is the genius that comes up with these striking chord structures. ‘Living Inside Myself’ is probably not an obvious cover for a saxophone but we were able to turn it on its head and make it a little different.”

Authentic Life also quietly preaches the virtues of balance with the sophisti-pop flow of “Elegant People.” There are people who go through life accepting everything that comes their way both the positive and negative. They accept it all as part of the entire human experience,” shares Elliot. “If you listen to the song you hear a gamut of emotions running throughout.” The funk-filled and blues-based “Moon Gazer,” co-written with Braun and Lorber, is another winner that shows off Elliot’s penchant to sit right in the groove and drive home a hit. “Secrets,” another Chris “Big Dog“ Davis collaboration, showcases Elliot’s effortless ability to sculpt masterful solos that draw you near. Lastly, the closing showstopper “Boogie” is an all-out exhilarating funk explosion.

A family man and father to five, Elliot reflects on the challenges of being a parent and witnessing the pandemic’s affects on his children. ‘This has been a challenge for all families but the thing that really hurts me most is how young adults my kids’ age have been affected. This is their time to get out there, explore and pursue their dreams and passions, but it has been quelled for now. They have suddenly been stopped in their tracks.” In contrast he notes that there has been one upside. “I did not think it was possible for our family to be closer but it has brought us closer.”

At the age of eleven Richard Elliot discovered his calling in his junior high school jazz band led by baritone saxophonist John McGruder, a studio musician and Don Ellis’ band alumnus. Around this time he also heard two tenormen who would turn his world upside down, Grover Washington Jr. and Dexter Gordon. He recalls a pivotal moment at 16 going to see Dexter at Concerts By the Sea in Redondo Beach, CA.“I watched this big man come out on stage with an enormous presence before he had even blown a note. I was mesmerized. He blew the first note and it was this huge sound that blew me away.” In the 80s Elliot became a touring member of the soul-funk outfit Tower of Power. He released debut solo album, Trolltown, in 1986 and shortly thereafter he began a fruitful relationship with Bruce Lundvall and was signed to Blue Note Records. Elliot has released more than 20 albums as a leader, his most recent being 2016’s Summer Madness and has scored more than 20 Top 10 Smooth Jazz singles and #1 Contemporary Jazz albums including On The Town, Soul Embrace, After Dark, and Jumpin’ Off. His 2013 collaboration with saxophonists Dave Koz Gerald Albright and Mindi Abair,
Summer Horns, was Grammy-nominated. A crowd-pleasing favorite on the festival circuit, Elliot has also garnered wide praise for his all-star touring attraction West Coast Jam that includes longtime collaborators.

The ever-evolving and continually inspired Richard Elliot concludes, “I definitely don’t feel the same sense of urgency that I did in my younger years. I always felt that I had something to prove whereas now, I only need to prove to myself that I am growing as human being and artist. It’s really about living an Authentic Life, doing what feels right and accepting life in all of its facets.”

For more information please contact Monifa Brown (646) 886-5629/mbrown@shanachie.com

About Rick Braun

Conventional music industry wisdom has long dictated that self-titled albums are, by design and intention, introductory artistic statements reserved for an artist’s first release. While slyly admitting he’s a little late to the party, Rick Braun boldly bucks this traditional trend with his stellar latest set, a stylistically eclectic, ultra-soulful/funky and exotica tinged collection celebrating 30 years since Intimate Secrets launched him to contemporary jazz stardom and made him one of the genre’s most influential artists and producers.

After hinting at fresh directions to come with the title of his 2018 album Crossroads, the versatile trumpeter and flugelhornist marks a fresh new chapter in his career with Rick Braun, the
first full-on Smooth Jazz project released on his indie label Brauntosoarus Music. The project – Braun’s 19th as a leader - was executive produced by Roy McClurg, who has also served in this
capacity on recordings by Mindi Abair, Darryl Williams and Michael Lington.

After amassing over 20 #1 Smooth Jazz hits, producing #1s for fellow genre greats David Benoit, Marc Antoine and the late Jeff Golub, creating two of the genre’s most impactful dual
albums ever (Shake It Up with Boney James, RnR with Richard Elliot) and recording three hit albums as part of the all-star trio BWB (with Kirk Whalum and Norman Brown), Rick Braun
reveals the exciting truth that the multi-faceted performer is in full creative overdrive and from his unique perspective, just getting started.

“With every project, every tour and each year that passes, I realize that as a musician and artist, I still have a long way to go before I am where I would like to be,” Braun says. “There’s no true
final destination, and the inspiring part of that is that I can keep practicing to improve. Music is never something you perform perfectly, and so I always feel like I’m a work in progress.
Everything I’ve done in the past – the accomplishments as well as mistakes - is part of who I am, but I’m always looking to explore fresh ideas, stay in the moment and just go with what feels
right. Thirty years in, I still love the camaraderie of playing music with my friends.”

Regarding the idea of dropping a self-titled album so deep into his discography, Braun shares that there are reasons behind “my madness” – including the fact that he wrote or co-wrote all of
the songs and there are no covers. It’s also one of the few albums of his storied career to not feature at least a few of his fellow genre stars. This is partially a result of the pandemic and
lockdown, which necessitated that Braun develop many of these songs further than usual by himself, isolated in his home studio.

Another beautiful musical silver lining emerging from this trying time was the development of the trumpeter’s creative relationship with veteran guitarist Tony Pulizzi, who became the
“house” guitarist for Braun’s long-running “Rick’s Cafe” – a popular long running weekly concert series that streamed live from Braun’s living room turned concert stage. The 70 or so,
now archived shows, were high tech, five camera shoots directed by the trumpeter’s son Kyle and featured live (and of course, socially distanced) collaborations between invited guest artists.
Pulizzi had played on Crossroads, but these weekly events – now on YouTube – cultivated a powerful camaraderie with Braun that led to him lending his powerful guitarisma to each track of
Rick Braun, perfectly fulfilling the trumpeter’s vision for the project.

Another key collaboration further cultivated by “Rick’s Cafe” was with keyboardist Carnell Harrell, who co-wrote and played on the collection’s spirited and infectious opening track “Far
Away Places.” Braun’s only other co-composition is the gracefully exotic, Latin tinged romance “Amor De Mi Vida (Love of My Life), which features its co-writer, two-time Grammy
nominated artist/producer Chris “Big Dog” Davis, on keys.

Once some of the lockdown restrictions lifted, Braun enjoyed bringing in some of contemporary jazz’s most storied sidemen to flesh out his sonic vision, always based on who he felt was the
best match for the vibe and groove he was after. These include bassists Darryl Williams, Jimmy Haslip, Kenny Wild, Nate Philips, Oskar Cartaya and Courtney Wild; drummers Gorden
Campbell, Sergio Gonzalez, Eric Valentine and Gary Novak; keyboardist Greg Phillinganes; flutist Richard Freemont; and percussionist Lenny Castro, who adds his legendary fire to take
every track to a transcendent rhythmic level. Braun also showcases his own formidable keyboard chops on the tunes “Turkish,” “Da Funk,” “Back to Mallorca, “Feet First,” “Playin Around” and
most emphatically on the sassy, swinging funk closing track “Four on the Floor,” which includes a colorful piano solo and dashes of bluesy B-3 magic.

Another fascinating element Braun brings to the album is a ten-piece live string section, arranged and conducted by Nick Lane, on five tracks. Beyond creating textures that alternately caress and
soar, these strings are Braun’s way of paying homage to the sound of the classic 60’s and 70’s albums on Creed Taylor’s legendary CTI Records.

Stylistically, longtime Braun fans will clearly hear the latest fruits of his ongoing passion for incorporating world music into his trademark trumpet and flugelhorn aesthetic, as he did on
classic tracks like “Tijuana Dance?” (from 2009’s All It Takes) and throughout his 2017 collection Around the Horn. The tracks on Rick Braun which tap into this aspect of his artistry
include the aforementioned “Amor De Mi Vida (Love of My Life”; the buoyant, lighthearted “Turkish,” his first ever venture into Middle Eastern-Mediterranean territory; the silky and
sensual, ultimately soaring brass tinged Latin fusion jam “Back to Mallorca”; and the trippy and danceable, Herb Alpert-flavored, muted trumpet and brass fueled “Feet First.” While Braun’s
mastery of blending steamy seduction with vibrant funk is on display throughout, “The Color of Love” is an emotionally impactful ballad that finds him slowing down to create a sense of heart
and soul intimacy.

Braun, a native of Allentown, PA, counts as some of his chief influences’ greats like Till Bronner, Clifford Brown, Freddie Hubbard, Lee Morgan and Chet Baker, in addition to Philly
originated legends from The Brecker Brothers and Jeff Lorber and fellow Allentown native Keith Jarrett. While attending the Eastman School of Music, he became a member of the jazz
fusion band Auracle and cut his producing chops on their second album. He set the stage for his early 90s emergence as a contemporary jazz artist with a successful career in pop music during
the 80s, writing, co-writing REO Speedwagon’s Top 20 Billboard hit “Here With Me” and working in the studio and/or on tour with everyone from Crowded House to superstars Natalie
Cole, Glenn Frey, Tom Petty, Sade, Rod Stewart, Tina Turner and War.

In addition to classic, genre defining Contemporary Jazz albums like Beat Street (1995), Full Stride (1998), Kisses in the Rain (2001), Esperanto (2003) and Can You Feel It (2014), Braun’s
eclectic discography includes the 2005 covers album Yours Truly, the standards set Sings with Strings (2011) and his second holiday album, the independently released Swingin’ In the Snow
(2012). He is also featured, along with Mindi Abair, on 2007’s Peter White Christmas.

“People often ask me, what is it that keeps me going so that I can play music, but I see it as just the opposite,” Braun says. “Especially during these challenging past two years, music has been
the lifeline that’s kept me going so that I can do everything else well in my life, including being the best dad I can to my amazing kids Kyle and Emma. Rick Braun is the first album in my
career where I made a conscious effort to do the bulk of heavy lifting, but it’s also a wonderful example of the energy and synergy that happens playing with good friends – and the miracle of
what happens when people get together and create music spontaneously. I encouraged each of them to express themselves just as they wanted to, and that contributes greatly to the magic. I
enjoyed every step of making this recording for many reasons, but most of all for being able to create and share so many special moments with so many wonderful friends throughout the